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Image Not Available for Reclining And Falling Figure (Top Etching)
Reclining And Falling Figure (Top Etching)
Image Not Available for Reclining And Falling Figure (Top Etching)
Artist John Earnest (American, 1923 - 2007)

Reclining And Falling Figure (Top Etching)

Daten.d.
MediumEtching
DimensionsImage: 6 × 17 11/16 in. (15.2 × 44.9 cm)
Sheet: 17 7/8 × 23 3/8 in. (45.4 × 59.4 cm)
Credit LineGeorgia Museum of Art, Univeristy of Georgia; Transferred from the Georgia Center for Continuing Education
Object number1979.3993A
Image Not Available for Reclining And Falling Figure (Bottom Etching)
Reclining And Falling Figure (Bottom Etching)
John Earnest
n.d.
Image Not Available for Walking Group
Walking Group
John Earnest
n.d.
Etching from Hungary; Hongarie; Ungar; Ungheria or Magyar népviseletek; 8 eredeti kézzel szinezett rézkarc Pekáry Istvántoól [Hungarian peasant costumes; 8 original hand-colored etchings from István Pekáy]
Etching from Hungary; Hongarie; Ungar; Ungheria or Magyar népviseletek; 8 eredeti kézzel szinezett rézkarc Pekáry Istvántoól [Hungarian peasant costumes; 8 original hand-colored etchings from István Pekáy]
István Pekáry
1932-33
Etching from Hungary; Hongarie; Ungar; Ungheria or Magyar népviseletek; 8 eredeti kézzel szinezett rézkarc Pekáry Istvántoól [Hungarian peasant costumes; 8 original hand-colored etchings from István Pekáy]
Etching from Hungary; Hongarie; Ungar; Ungheria or Magyar népviseletek; 8 eredeti kézzel szinezett rézkarc Pekáry Istvántoól [Hungarian peasant costumes; 8 original hand-colored etchings from István Pekáy]
István Pekáry
1932-33
Etching from Hungary; Hongarie; Ungar; Ungheria or Magyar népviseletek; 8 eredeti kézzel szinezett rézkarc Pekáry Istvántoól [Hungarian peasant costumes; 8 original hand-colored etchings from István Pekáy]
Etching from Hungary; Hongarie; Ungar; Ungheria or Magyar népviseletek; 8 eredeti kézzel szinezett rézkarc Pekáry Istvántoól [Hungarian peasant costumes; 8 original hand-colored etchings from István Pekáy]
István Pekáry
1932-33
Proof For Etching #23 - In The Last Days Of April 1944 Came The Signal For The Attack - After Hard Fighting We Broke The German Resistance And The Second Big Push Was On.
Proof For Etching #23 - In The Last Days Of April 1944 Came The Signal For The Attack - After Hard Fighting We Broke The German Resistance And The Second Big Push Was On.
Rudolph Charles von Ripper
1946
Proof For Etching #28 - After The Long Push Up The Coast And After We Broke Through The Gothic Line We Were Bogged Down By Winter Conditions In The Apennine Mountains Below Bologna, Along Highway 65
Proof For Etching #28 - After The Long Push Up The Coast And After We Broke Through The Gothic Line We Were Bogged Down By Winter Conditions In The Apennine Mountains Below Bologna, Along Highway 65
Rudolph Charles von Ripper
1946
Proof For Etching #3 - After An Uneventful Crossing From Africa We Landed In Salerno Bay On D+10 Day.
Proof For Etching #3 - After An Uneventful Crossing From Africa We Landed In Salerno Bay On D+10 Day.
Rudolph Charles von Ripper
1946
La Mere Gerard (Mother Gerard), From The Twelve Etchings Of Nature, The French Set
La Mere Gerard (Mother Gerard), From The Twelve Etchings Of Nature, The French Set
James McNeill Whistler
1856
With the 34th Infantry Division in Italy - A Portfolio of 30 Etchings, Includes Several Additional Proofs, Some Hand Annotated by Artist
With the 34th Infantry Division in Italy - A Portfolio of 30 Etchings, Includes Several Additional Proofs, Some Hand Annotated by Artist
Rudolph Charles von Ripper
1947
Untitled (reclining male figure with bird head)
Untitled (reclining male figure with bird head)
Fred Nall Hollis AKA NALL
c. 1980
Group Of Figures
Group Of Figures
John Edward Costigan
c. 1937
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