Advanced Search

A Place with Birds

ExpandFavoriteView PDF

Artist Constance Forsyth (American, 1903 - 1987)

A Place with Birds

MediumEtching and aquatint on paper

DimensionsPlatemark: 13 3/8 × 10 1/2 in. (34 × 26.7 cm)
Sheet: 17 3/8 × 13 in. (44.1 × 33 cm)

Credit LineGeorgia Museum of Art, University of Georgia; Gift of Michael T. Ricker in honor of Dr. William Underwood Eiland

Object number2019.133

Discover More

Image Not Available

Constance Scharff

n.d.

Image Not Available

Constance Whitney Warren

Image Not Available

Birds of the Sheltered Bay

Bernece Hunter

1970

Sparrowhawk, from Natural History of Birds Treated Systematically and Adornded with Copperplate Engraving Illustrations, in Miniature and Life-Size

Sparrowhawk, from Natural History of Birds Treated Systematically and Adornded with Copperplate Engraving Illustrations, in Miniature and Life-Size

Lorenzo Lorenzi

1767-1776

Sparrowhawk, from Natural History of Birds Treated Systematically and Adornded with Copperplate Engraving Illustrations, in Miniature and Life-Size

Sparrowhawk, from Natural History of Birds Treated Systematically and Adornded with Copperplate Engraving Illustrations, in Miniature and Life-Size

Lorenzo Lorenzi

1767-1776

Eagle, from Natural History of Birds Treated Systematically and Adornded with Copperplate Engraving Illustrations, in Miniature and Life-Size

Eagle, from Natural History of Birds Treated Systematically and Adornded with Copperplate Engraving Illustrations, in Miniature and Life-Size

Lorenzo Lorenzi

1767-1776

Image Not Available

Birds of Prey, from L'Estampe Originale

Victor Emile Prouve

Hawk, from Natural History of Birds Treated Systematically and Adornded with Copperplate Engraving Illustrations, in Miniature and Life-Size

Hawk, from Natural History of Birds Treated Systematically and Adornded with Copperplate Engraving Illustrations, in Miniature and Life-Size

Lorenzo Lorenzi

1767-1776

Augusta Payne Rathbone

c. 1943

Waiting, Always Waiting - Between Battles, Between Moves, The Doughfoot Stretched Out In The Ditches Along The Road, In The Wrecked Houses - Any Place To Rest His Tired Body.

Waiting, Always Waiting - Between Battles, Between Moves, The Doughfoot Stretched Out In The Ditches Along The Road, In The Wrecked Houses - Any Place To Rest His Tired Body.

Rudolph Charles von Ripper

1947

Image Not Available

John Solarz

1954

Bird's-Eye View of the Southern End of New York and Brooklyn, from Harper's Weekly

Bird's-Eye View of the Southern End of New York and Brooklyn, from Harper's Weekly

Theodore Davis

1870